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ANY-LOG LUTS
ANY-LOG LUTS
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RATED 4.9 OUT OF 5
THE LUTS
Tested on real footage. Not a film set.
(DRAG TO COMPARE)
WHAT YOU GET
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🎞️ What are LUTs?
LUTs (Look-Up Tables) are plug-and-play color filters for video.
When applied to footage, they instantly transform the color, tone, and mood — no manual tweaking required.
They’re used in films, ads, social content, and now by creators who want that polished look without needing to learn the theory.
🤔 Which LUTs are right for me?
It depends on what kind of video you’re working with
One Click LUTs are best if you're using regular footage — like iPhone, GoPro, Osmo, or most cameras straight out of the box. These are made for everyday clips and work with no setup at all. Just drag and drop.
Any-Log LUTs are made for more advanced cameras that shoot in flat, grey-looking video (called Log). If your footage looks washed out before editing, this is probably what you need.
Not sure — or using both types?
🎬 The Creator Suite gives you everything in one place, saves you money, and includes LUTs, presets, and bonus assets. It's the best choice if you want the full toolkit from the start.
🎥 Any-Log LUTs
FOR VIDEO
Perfect for creators who shoot in Log profiles and want cinematic results — fast and with no extra steps.
Drag-and-drop LUTs that convert and color grade your Log and Apple Log footage in one click.
No separate conversion LUT needed.
Tested on Sony, Apple, Canon, Lumix, Blackmagic, RED, ARRI, and more.
Optimized for S-Log3 and Apple Log.
Note: These LUTs are designed specifically for Log footage. Not intended for Rec.709.
📱 One Click LUTS
FOR VIDEO
Perfect for beginners or intermediates who want plug-and-play cinematic color — without expensive gear or complex software.
One-click LUTs designed for any Rec.709 footage: iPhone, Osmo, camera, GoPro, and more. No tweaking needed.
Each look is intentionally dialed to work on real-world content — no matter the lighting, location, or skin tone.
❓What are they compatible with?
All LUTs are standard .cube files that work in any video editing app that supports custom LUTs.
Compatible with:
Premiere Pro, Final Cut Pro, DaVinci Resolve, CapCut, LumaFusion, Filmora, After Effects, VN App, and more.
📥 How do I get my files after purchase?
Right after checkout, you’ll get instant access to your downloads — both on the confirmation page and via email. No waiting, no weird portals.
BACKED BY THE BEST
Jace
VERIFIED
The most effortless color grades I’ve tried. Worth every penny.
Cade
VERIFIED
Finally some products that actually feel cinematic! Highly recommend.
Damon
VERIFIED
These saved me hours on edits. Just clean and easy.
Rylan
VERIFIED
These tools genuinely delivered premium results without overcomplicating the editing workflow.
Jace
VERIFIED
The most effortless color grades I’ve tried. Worth every penny.
Cade
VERIFIED
Finally some products that actually feel cinematic! Highly recommend.
Damon
VERIFIED
These saved me hours on edits. Just clean and easy.
Rylan
VERIFIED
These tools genuinely delivered premium results without overcomplicating the editing workflow.
HEAR IT FROM OUR CUSTOMERS
Good overall, though I wish a few of them were a bit less contrasty. Still useable right out of the box though.
I shoot S-Log3 on my Sony and these luts saved me so much time. Finally something that just works.
Color + conversion in one click is exactly what I needed. Using these for both YouTube and doc work now.
Been grading manually forever. This sped up my whole post flow. Apple Log stuff looks especially nice.
Been using it on every project since I bought it. Makes editing way easier.
Tested on my FX3 and iPhone 15 pro max, looks fire on both. It's way to easy to color grade :)
Apple Log footage used to throw me off. These fixed that. The skin tones actually look human now.
I always struggled with getting my Log stuff to look right. This made the whole process idiot-proof.
Used these on a RED Komodo shoot — looked better than my old workflow and way faster.
Used them across multiple brands (Sony + Lumix) and they hold up great. Finally a Log pack that’s not overhyped.
Tested on my Canon Log3 and Blackmagic. Everything looked clean right away. Nice to only need to use one LUT instead of two.
They’re easy to work with.
A couple looks were too stylized for my client work but there’s definitely a handful I keep coming back to.
Some LUTs lean a bit warm, but they’re flexible. Good starting point without having to build a look from scratch.
Would love a few more soft/matte options but what’s here is solid and easy to apply.
